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| | #17 (permalink) | |
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I saw the movie cuz my cousin downloaded it with limewire or something. I didn't watch the whole thing (i too thought it would be ALL cartoon), but i did watch the cartoon sequences. The story is more of a tale about the boy in the movie, and Uncle Remus uses the tales of Brer Rabbit as lessons for the boy to apply in his own life. The reason why it's banned is because it is thought to inaccurately display slave life. Most African-Americans as well as others thought that Uncle Remus was too happy for a slave. He seemed to actually like slave life, and the PC people did not like that way of thinking at all. Of course Disney was just trying to make the film friendly, but ya, some peeps did not like the PC incorrectness. Anyways, from the cartoon sequences i noticed some differences from the movie and the ride. For one thing, Chickapin Hill is no hill at all, but rather a large tree stump thing (it looks like the tree on the top of Chickapin Hill). But really it's more of a small hillock that the tree rests on. Also, Brer Fox uses a tar baby to trap Brer Rabbit, not honey. But some similarities do occur as well. The scene in the ride where Brer Bear is caught in the rope trap and is dangling over the water happens in the movie also. And Brer Bear is tricked by Brer Rabbit into looking in a bee's tree for Brer Rabbit's laughing place. So some scenes they did take from the movie.
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| | #18 (permalink) |
| The Dark Ned ![]() Join Date: Mar 2005 Location: Phoenix, AZ, 5 1/2 hours too far!
Posts: 453
Images: 44 | I've said it once and I'll say it again: Nobody in this movie was a slave! Slavery was abolished after the civil war. People originally protesting the movie did not get this, and obviously people now don't either. UNCLE REMUS WAS NOT A SLAVE, nor was anyone else in the movie. They were free. The contreversy comes from the black stereotypes that were portrayed, including African -Americans working on a plantation. But they were portrayed as willing workers not, slaves.
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| | #19 (permalink) |
| Mover of People ![]() | I guess humanity is far less mature than I thought. How difficult would it be to have the movie out there & at the same time acknowledge that in the past we used to discriminate based on race. It was a stupid thing to do, it still is a stupid thing to do, just like stereotyping is. If little Timmy watches this movie, just give it to him in the context of the times. If we have to always live in fear of history, how in the world can we ever learn from it? -- Peoplemover "Wait...you actually mean a movie inaccurately portrays a stereotype?! *gasp* " Matt
__________________ "What kind of man would live where there is no daring? I don't believe in taking foolish chances, but nothing can be accomplished without taking any chance at all." -- Charles Augustus Lindberg "Our greatest natural resource is the minds of our children." -- Walter Elias Disney "So are we to continue in sin that grace might increase? May it never be! How shall we who died to sin still live in it? Or do you not know that all of us who have been baptized into Christ Jesus have been baptized into His death? Therefore we have been buried with Him...so we too might walk in the newness of life." -- Romans 6:1-4 Tokyo Photos I Tokyo Disney Resort Videos |
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| | #20 (permalink) | |
![]() ![]() Join Date: Apr 2005 Location: Lake Stevens, WA
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| | #21 (permalink) | |
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| | #22 (permalink) |
| Favorite Hitchhiking Ghost
News Editor
![]() | The NAACP protests came about partly through the mistunderstandings about slavery, and concern about black people being portrayed as happy with their new lot after the Reconstruction, which they weren't. These were legitimate concerns but they were overblown. The portrayals in Song of The South are very dignified and sympathetic in comparison to other movies at that time. Just rent Birth of a Nation, Gone With the Wind, Pinky or The Oxbow Incident. But Song of The South was vehemently protested in LA, not just due to those concerns but for personal reasons also. Walt Disney was concerned about how black people should be portrayed in his film, so the studio hired Clarence Edouard Muse as a consultant. Muse was an actor and a lawyer for the NAACP. Hoping to land the role of Uncle Remus himself, Muse resigned when James Baskett was hired instead. Even though he knew that Disney was trying to get it right (after all they hired him didn't they), Clarence Muse began an NAACP campaign against the picture. He leaked a script to the editors of several black publications, an early script by southern author Dalton Reymond that was riddled with derogatory stereotypes. When he left Disney that script had already been doctored by a leftist screenwriter named Maurice Rapf at Muse's suggestion. Walter White, who headed the NAACP issued a release to the press denouncing the film, which he had never seen, based on the early Dalton Reymond script. Muse organized the picketing of the premiere by the NAACP in Los Angeles. There's been more than a little speculation that he did all this as a personal vendetta, to punish Disney for hiring Baskett instead of himself. Maurice Rapf so much as said so himself. And James Baskett is quoted as saying: ?I believe that certain groups are doing my race more harm in seeking to create dissension than can ever possibly come out of the Song of the South.? Walt Disney is not completely innocent in this, either. The Hays Office suggested the addition of a title marking the year as clearly after the Civil War, a suggestion he ignored. Disney rutinely bristled at these Production Code reviews, feeling that he really didn't need them. After all, he knew how to make a family picture! He didn't need anybody telling him how. This particular suggestion would have saved alot of confusion on the slavery issue. Also portraying post civil war blacks as hard-working (true) and happy about it (no so much) was certainly an error in judgement that could have been avoided with the right input from the NAACP's "Hollywood Bureau". |
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| | #25 (permalink) | |
| Stitch - Up, up and away! ![]() | Quote:
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| | #27 (permalink) |
![]() | Just wait till November of '06. There is no legitamite U.S. copy. You can but a British copy, but it would be in PAL. So try to find a PAL vcr or DVD.(For those of you who don't know, the format for US VCR's and DVD's is NTSC, whereas the format for European DVD's and VHS is PAL)
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